Bill Bryson (A Short History of Nearly Everything) turns his attention from science to society in his authoritative history of domesticity, At Home: A Short History of Private Life. While walking through his own home, a former Church of England rectory built in the 19th century, Bryson reconstructs the fascinating history of the household, room by room. With waggish humor and a knack for unearthing the extraordinary stories behind the seemingly commonplace, he examines how everyday items--things like ice, cookbooks, glass windows, and salt and pepper--transformed the way people lived, and how houses evolved around these new commodities. "Houses are really quite odd things," Bryson writes, and, luckily for us, he is a writer who thrives on oddities. He gracefully draws connections between an eclectic array of events that have affected home life, covering everything from the relationship between cholera outbreaks and modern landscaping, to toxic makeup, highly flammable hoopskirts, and other unexpected hazards of fashion. Fans of Bryson's travel writing will find plenty to love here; his keen eye for detail and delightfully wry wit emerge in the most unlikely places, making At Home an engrossing journey through history, without ever leaving the house.
In each of the short stories that nest like rooms in Nicole Krauss's Great House looms a tremendous desk. It may have belonged to Federico García Lorca, a poet and dramatist who was one of thousands executed by Fascists in 1936, when the Spanish Civil War began. We know that the desk stood in Weisz's father's study in Budapest on a night in 1944, when a stone shattered their window. After the war, Weisz hunts furniture looted from Jewish homes by the Nazis. He scours the world for the fragments to reassemble that study's every element, but the desk eludes him, and he and his children live at the edges of its absence. Meanwhile, it spends a few decades in an attic in England, where a woman exhumes the memories she can't speak except through violent stories. She gives the desk to the young Chilean-Jewish poet Daniel Varsky, who takes it to New York and passes it on (before he returns to Chile and disappears under Pinochet) to Nadia, who writes seven novels on it before Varsky's daughter calls to claim it. Crossing decades and continents, the stories of Great House narrate feeling more than fact. Krauss's characters inhabit "a state of perpetual regret and longing for a place we only know existed because we remember a keyhole, a tile, the way the threshold was worn under an open door," or a desk whose multitude of drawers becomes a mausoleum of memory. -
get that books soon..
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